Cheng Ran
Works

ALWAYS I DISTRUST, 2020

<p>Cheng Ran, <em>Always I Distrust,</em> 2020, single channel HD video, color/stereo sound & 3D digital video, color/stereo sound, HTC VR player and gamepad, single channel video: 9'07''; 3D video: 7', edition of 6 + 1 AP</p>

Tokyo Cold, 2018

<p isrender="true">Cheng Ran, <em isrender="true">Tokyo Cold No.3</em>, 2018, photograph, ultra giclee, 17.8 x 12.7 cm (photo); 43 x 31 cm (framed)</p>

<p>Cheng Ran, <em isrender="true">Tokyo Cold No.8</em>, 2018, photograph, ultra giclee, 12.7 x 17.8 cm (photo); 43 x 31 cm (framed)</p>

<p>Cheng Ran, <em isrender="true">Tokyo Cold No.14</em>, 2018, photograph, ultra giclee, 17.8 x 12.7 cm (photo); 43 x 31 cm (framed)</p>

<p>Cheng Ran, <em isrender="true">Tokyo Cold No.17</em>, 2018, photograph, ultra giclee, 12.7 x 17.8 cm (photo); 43 x 31 cm (framed)</p>

<p>Cheng Ran, <em isrender="true">Tokyo Cold No.13</em>, 2018, photograph, ultra giclee, 17.8 x 12.7 cm (photo); 43 x 31 cm (framed)</p>

DIARY OF A MADMAN, 2016 - 2017

<p isrender="true">Cheng Ran, <em isrender="true">The Dream of Jerusalem (Diary of a Madman - Jerusalem)</em>, 2017, aluminum board, film still, film roll, single channel HD video, TV-set, TV rack, paint, ready-made object, 380 x 275 cm</p>

<p isrender="true">Cheng Ran, <em isrender="true">DD-MM-YYYY</em>, 2017, single channel HD video, TV-set, TV rack, paint, ready-made object, installation: dimension variable, TV: 80 x 137 x 7 cm</p>

<p isrender="true">Cheng Ran, <em isrender="true">DD-MM-YYYY</em>, 2017, single channel HD video, TV-set, TV rack, paint, ready-made object, installation: dimension variable, TV: 137 x 80 x 7 cm</p>

<p>Cheng Ran, <em isrender="true">Diary of a Madman - New York Installation</em>, 2016 - 2017 (Scenario 2 as shown at Galerie Urs Meile in Beijing), video installation (15 single channel HD video, color/sound, 16:9, TV-set, projector, speaker, mirror, black sound-absorbing cotton), dimension variable</p>

<p isrender="true">Cheng Ran, <em isrender="true">Mongrel and Black Kite (Diary of a Madman - Hong Kong)</em>, 2017, multi-video installation (single channel HD video, color/sound, TV-set, 16:9, projector, speaker, film still), dimension variable, edition of 3 + 1 AP</p>

<p>Cheng Ran, <em isrender="true">Diary of a Madman - Jerusalem, Film Still No.3</em>, 2018, c-print, 19 x 34 x 2 cm</p>

<p isrender="true">Cheng Ran, <em isrender="true">Diary of a Madman - Jerusale<em isrender="true">m</em>, Film Still No.2</em>, 2018, c-print, 19 x 34 x 2 cm</p>

<p>Cheng Ran, <em isrender="true">The Ear Bums 1</em>, 2017, multi-media installation (light box, dummy, biker gear), 223 x 300 x 244 cm</p>

<p>Cheng Ran, <em isrender="true">The Ear Bums 2</em>, 2017, multi-media installation (IT-hardware, glass, table, cat plushie, parquet floor), 218 x 581 x 363 cm</p>

IN COURSE OF THE MIRACULOUS, 2015 - 2016

<p isrender="true">Cheng Ran, <em isrender="true">In Course of the Miraculous, Film Still No.6</em>, 2016, photograph, ultra giclee, 100 x 190 cm, edition of 1 + 1 AP</p>

<p isrender="true">Cheng Ran, <em isrender="true">In Course of the Miraculous, Film Still No.3</em>, 2016, photograph, ultra giclee, 100 x 190 cm, edition of 1 + 1 AP</p>

<p isrender="true">Cheng Ran, <em isrender="true">In Course of the Miraculous, Film Still No.5</em>, 2016, photograph, ultra giclee, 100 x 190 cm, edition of 1 + 1 AP</p>

<p>Cheng Ran, <em isrender="true">Modern Nature</em>, 2015, mixed media (sail, wood, sailing boat parts), 560 x 543 x 210 cm</p>

<p>Cheng Ran, <em isrender="true">Modern Nature 2</em>, 2015, mixed media (sail, wood, sailing boat parts), 240 x 455 x 60 cm</p>

<p>Cheng Ran, <em isrender="true">Modern Nature 3</em>, 2015, mixed media (sailing boat parts, acrylic glass), dimensions variable</p>

<p>Cheng Ran, <em>In Course of the Miraculous</em>, 2015, wide-screen HD film, 5.1 surround sound, 468', edition of 3 + 1 AP</p>

<p>Cheng Ran, <em>Scenario Hypothesis 1</em>, 2015, photography lightbox, 65.5 x 169.5 x 5 cm, edition of 6 + 1 AP</p>

<p isrender="true">Cheng Ran, <em isrender="true">Scenario Hypothesis 5</em>, 2015, photography lightbox, 65.5 x 169.5 x 5 cm, edition of 6 + 1 AP</p>

<p>Cheng Ran, <em>Scenario Hypothesis 1-6</em>, 2015, photography lightbox, 6 x 65.5 x 169.5 x 5 cm, edition of 6 + 1 AP</p>

<p>Cheng Ran, <em isrender="true">Three Generations</em>, 2015, ready-made objects, DVDs, CDs, books, and two bookshelves, dimensions variable</p>

<p>Cheng Ran, <em>Three Generations</em>, 2015, ready-made objects, DVDs, CDs, books, and two bookshelves, dimensions variable, detail</p>

<p isrender="true">Cheng Ran, <em isrender="true">The Useful, The Useless</em>, 2015, c-print, collage, 60 pieces of A4-sized frames, edition of 6 + 1 AP</p>

<p>Cheng Ran, <em>The Useful, The Useless</em>, 2015, c-print, collage, 60 pieces of A4-sized frames, edition of 6 + 1 AP, detail</p>

<p>Cheng Ran, <em>The Useful, The Useless</em>, 2015, c-print, collage, 60 pieces of A4-sized frames, edition of 6 + 1 AP, detail</p>

ALWAYS I TRUST, 2014

<p>Cheng Ran, <em>Always I Trust, Film Still No.1</em>, 2014, c-print, 70 x 179 cm (photo), 92 x 195 x 6 cm (framed), edition of 6 + 1 AP</p>

<p>Cheng Ran, <em>Always I Trust, Film Still No.2</em>, 2014, c-print, 70 x 179 cm (photo), 92 x 195 x 6 cm (framed), edition of 6 + 1 AP</p>

<p isrender="true">Cheng Ran, <em isrender="true">Always I Trust, Film Still No.3</em>, 2014, c-print, 70 x 179 cm (photo), 92 x 195 x 6 cm (framed), edition of 6 + 1 AP</p>

BEFORE FALLING ASLEEP, 2013

<p isrender="true">Cheng Ran, <em isrender="true">Before Falling Asleep, Film Still No.1</em>, 2013, c-print, 154 x 120 cm (framed), edition of 6 + 1 AP</p>

<p isrender="true">Cheng Ran, <em isrender="true">Before Falling Asleep, Film Still No.2</em>, 2013, c-print, 180 x 120 cm (framed), edition of 6 + 1 AP</p>

<p isrender="true">Cheng Ran, <em isrender="true">Before Falling Asleep - Video Installation</em>, 2015, mixed media (partition wall, carpet), 198 x 730 x 510 cm</p>

<p>Cheng Ran, <em>Before Falling Asleep - Video Installation</em>, 2015, mixed media (partition wall, carpet), 198 x 730 x 510 cm, detail</p>

<p>Cheng Ran, <em>Before Falling Asleep - Video Installation</em>, 2015, mixed media (partition wall, carpet), 198 x 730 x 510 cm, detail</p>

THE LAST GENERATION, 2013

<p isrender="true">Cheng Ran, <em isrender="true">Circadian Rhythm</em>, 2013, edition of 3, mixed media installation (wooden partition walls, framed novel excerpts, oil painting, drawing, lamp, bar stool and table, lighting construction), reading room: 318 x 696 x 500 cm; lighting construction: 32 x 600 x 400 cm</p>

<p>Cheng Ran, <em>Circadian Rhythm</em>, 2013, edition of 3, mixed media installation (wooden partition walls, framed novel excerpts, oil painting, drawing, lamp, bar stool and table, lighting construction), reading room: 318 x 696 x 500 cm; lighting construction: 32 x 600 x 400 cm, detail</p>

<p isrender="true">Cheng Ran, <em isrender="true">Circadian Rhythm</em>, 2013, paperback novel, chinese, english, 18.4 x 13 cm</p>

<p isrender="true">Cheng Ran, <em>Hit-Or-Miss-ist</em>, 2013, aluminum board, 143 x 633 x 20 cm, edition of 3</p>

<p isrender="true">Cheng Ran, <em isrender="true">Hit-Or-Miss-ist</em>, 2013, aluminum board, 143 x 633 x 20 cm, edition of 3, detail</p>

<p isrender="true">Cheng Ran, <em isrender="true">The Ashes of the Day</em>, 2013, inkjet print, 134 x 200 cm, edition of 6 + 1 AP</p>

<p isrender="true">Cheng Ran, <em>The Last Generation</em>, 2013, pure New Zealand wool, manually embroidered carpet, 272 x 192 cm, edition of 6 + 1 AP</p>

<p>Cheng Ran, <em isrender="true">Eagle and Deer</em>, 2013, mixed media installation (autoharp, motor, eagle feather), 43 x 64 x 53 cm</p>

<p>Cheng Ran, <em>Tide Conversations</em>, 2013, mixed media installation (stones, sea shells, fountain pen nibs, inscribed notepaper, wooden plinth and glass cover), 105 x 244 x 80 cm</p>

<p>Cheng Ran, <em>Tide Conversations</em>, 2013, mixed media installation (stones, sea shells, fountain pen nibs, inscribed notepaper, wooden plinth and glass cover), 105 x 244 x 80 cm, detail</p>

<p>Cheng Ran, <em isrender="true">Letters</em>, 2013, inscribed detritus paper, wooden frame, 9x 124 x 84 cm (framed)</p>

<p>Cheng Ran, <em>Letters</em>, 2013, inscribed detritus paper, wooden frame, 9x 124 x 84 cm (framed), detail</p>

<p>Cheng Ran, <em isrender="true">Hit-Or-Miss-ist</em>, 2013, heavy black vinyl, 180 g, two-sided, ∅ 30 cm, 33 1/3 rpm long-playing (LP) format, side A: 24'43", side B: 19'05", edition of 200 + 50 AP</p>

<p isrender="true">Cheng Ran, <em>Three Youngsters</em>, 2013, mixed media installation (1970s portrait drawings, acrylic frame, lighting construction, wall writings), lighting construction: 21 x 220 x 114 cm; drawings: 35 x 28 cm, 29 x 30 cm, 35 x 28 cm, (framed); wall writings: size variable</p>

HOT BLOOD, WARM BLOOD, COLD BLOOD, 2011

<p isrender="true">Cheng Ran, <em isrender="true">Warm Blood No.1</em>, 2011, giclee print on dibond, 107 x 160 cm, edition of 6 + 1 AP</p>

<p isrender="true">Cheng Ran, <em isrender="true">Warm Blood No.2</em>, 2011, giclee print on dibond, 90 x 160 cm, edition of 6 + 1 AP</p>

<p isrender="true">Cheng Ran, <em isrender="true">Hot Blood</em>, 2011, giclee print on dibond, 63 x 100 cm, edition of 6 + 1 AP</p>