Xie Nanxing
Bibliography
PUBLICATIONS
Galerie Urs Meile, Beijing-Lucerne (2015). Xie Nanxing Works 2009 – 2015. Beijing.
Galerie Urs Meile, Beijing-Lucerne (2012). The Second Round With A Whip. Beijing.
Galerie Urs Meile, Beijing-Lucerne (2010). Stepfather Has an Idea!, Beijing.
Galerie Urs Meile, Beijing-Lucerne (2009). Xie Nanxing Works: 1992 – 2008. Beijing.
Galerie Urs Meile, Beijing-Lucerne (2004). Xie Nanxing Paintings: 1992 – 2004. Beijing.
SELECTED BIBLIOGRAPHY
Coffani, J. In: Paradoxa. Arte dalla Cina attuale (Catalogue). Civici Musei di Storia e Arte, Udine, Italy (Ed.) (2017). pp. 42-48.
Noack, R. (2015). Attitude and Discipline – Notes on Xie Nanxing’s Painterly Ethics. In: Xie Nanxing Works 2009 – 2015. Beijing: Galerie Urs Meile. pp. 33-41.
Yinghua Lu, C. (2015). Spots, Dust, Renderings, Picabia, Case Notes, Flavor, Light, Sound, and More – Xie Nanxing’s Creations. In: Xie Nanxing Works 2009 – 2015. Beijing: Galerie Urs Meile Beijing-Lucerne. pp. 5-15.
Spalding, D. (2012). Ashes of Time: The New Work of Xie Nanxing. In: The Second Round With A Whip. Beijing: Galerie Urs Meile Beijing-Lucerne. pp. 4-9.
Alemani, C., Gioni M. (Eds.) (2010). Xie Nanxing. In: I’m Not There: New Art From Asia. Gwanju, The Gwanju Biennale Foundation.
Jocks, H.N. (2010). Painting and the Beholder – Heinz-Norbert Jocks in Conversation with Xie Nanxing. In: Stepfather has an Idea!. Catalogue: Beijing: Galerie Urs Meile Beijing-Lucerne. pp. 5-15.
Li Xiaonan (2010). Xie Nanxing: Stepfather has an Idea. Leap, Vol. 4, August. p. 205.
Xie Nanxing (2010). In: The Official Opening of Minsheng Art Museum – Thirty Years of Chinese Contemporary Art 1979-2009, catalogue, Beijing: Minsheng Art Museum. pp. 458-461.
Colonnello, N. (2010). Stepfather Has an Idea! – Xie Nanxing. Artcollector, Vol. 2, September-October. pp. 60-61.
Colonnello, N. (2008). Big Show – Xie Nanxing. In: Xie Nanxing. Works: 1992 – 2008. Beijing: Galerie Urs Meile. pp. 27-31.
Li Zhenhua (2008). 2005 – Xie Nanxing. In: Xie Nanxing. Works: 1992 – 2008. Beijing: Galerie Urs Meile. pp. 59-63.
Noack, R. (2008). Alles Sichtbare haftet am Unsichtbaren – All that is visible clings to the invisible. In: Xie Nanxing. Works: 1992 – 2008. Beijing: Galerie Urs Meile. pp. 49-51.
Pakesch, P. (2008). Some Comments on the work of Xie Nanxing. In: Xie Nanxing. Works: 1992 – 2008. Beijing: Galerie Urs Meile. pp. 11-15.
Li Hongyu, Xie Nanxing (2008). Xie Nanxing über Gerhard Richter. Interview. Available: http://www. de-cn.net/mag/bli/de3397917.html. Last accessed 4 June 2008.
Albertini, C. (2008). Xie Nanxing. In: Avatars and Antiheros. A Guide to Contemporary Chinese Artists. Tokyo, New York, London: Kodansha International. pp. 120-123.
Guo Xiaoyan (2007). Urban Survivor: Another Art Reality. Xie Nanxing. In: City_net Asia 2007 (Catalogue, Yoo, Hee-Young, Ed.). Seoul: Museum of Art. pp. 164-167.
Guo Xiaoyan (2007). Xie Nanxing. In: City_net Asia 2007. Seoul: Museum of Art. pp. 164-165.
Pollack, B. (2007). Xie Nanxing. In: China Art Book. The 80 most renowned Chinese artists. Cologne: DuMont Buchverlag. pp. 464-471.
Spalding, D. (2007). Drowning in Principle. A Short Conversation with Xie Nanxing. In: China Welcomes You..., catalogue, Cologne: Verlag der Buchhandlung Walther König. pp. 74-78.
Xu Tan (2007). Interview with Xie Nanxing. In: Searching for Keywords: Today, Art. China Welcomes You..., catalogue, Cologne: Verlag der Buchhandlung Walther König. pp. 64-68.
Matthiss, N. (2007). Untitled, No. 1, 2, 3. In: Documenta Kassel 16/06-23/09 2007. Cologne: Taschen GmbH. pp. 198-199.
Münter, U. (2007). Topographie des Verschwindens. Xie Nanxings Bild-Serie untitled, 2006. Beijing and Lucerne: Galerie Urs Meile.
Spalding, D. (2006). Moth to the Flame: Radiance and Rupture in the Work of Xie Nanxing. Art Papers Magazine, Vol. 30 (4), July-August. pp. 38-45.
Battiston, E. (2005). Nuove Prospettive Nella Pittura Cinese. In: Cina. Pittura Contemporanea (Sassoli de Bianchi, L., Ed.). Bologna Italy: Damiani. pp. 17, 182-197.
Shu Yang (2005). La Pittura Fotografica Cinese. In: Cina. Pittura Contemporanea (Sassoli de Bianchi, L., Ed.). Bologna Italy: Damiani. p. 19.
Sassoli de Bianchi, L. (2005). Tra Cielo e Terra. In: Cina. Pittura Contemporanea (Sassoli de Bianchi, L., Ed.). Bologna, Italy: Damiani. p. 6.
Colonnello, N. (2005). Xie Nanxing. In: Mahjong. Contemporary Chinese Art from the Sigg Collection. Ostfildern-Ruit: Hatje Cantz. pp. 168, 169.
Ambrozy, L. (2005). A Discerning Eye - Catch a Sight Unseen at the CAAW this Month. In: That’s Beijing Magazine. Beijing: China International Press. pp. 45, 47.
Colonnello, N., Xie, N. (2005). The Frantic Speed of Stillness. In: Contemporary, 72. London. pp. 22-25.
Ambrozy, L. (2005). A Discerning Eye - Catch a Sight Unseen at the CAAW this month. That’s Beijing Magazine. Beijing: China International Press. November 2005, pp. 45, 47.
Ai, W. (2005). The Joy of Running Away And All That Catches The Eye. In: Catalogue Show Me... Catch Me... Sight Unseen: Xie Nanxing and Wang Xingwei. Beijing: China Art Archives & Warehouse (CAAW), Galerie Urs Meile, Beijing-Lucerne. pp. 7-9.
Colonnello, N., Xie, N., Wang, X. (2005). A Criss-Crossed Interview with Xie Nanxing and Wang Xingwei. In: Catalogue Show Me... Catch Me... Sight Unseen: Xie Nanxing and Wang Xingwei. Beijing: China Art Archives & Warehouse (CAAW), Galerie Urs Meile, Beijing-Lucerne. pp. 14-17.
Colonnello, N., Xie, N., Wang, X. (2005). Nataline Colonnello, Xie Nanxing and Wang Xingwei’s Talks about the Exhibition Show Me... Catch Me... Sight Unseen. In: Catalogue: Xie Nanxing and Wang Xingwei. Beijing: China Art Archives & Warehouse (CAAW), Galerie Urs Meile, Beijing-Lucerne. pp. 25-31.
Fischer, P. (2005). Der Geist des roten Hahns. In: A Kind of Magic. Lucerne: Museum of Art Lucerne, pp. 66-72.
Colonnello, N. (2004). A Garbled Visual Grammar. In: Xie Nanxing. Paintings: 1992 – 2004. Beijing: Galerie Urs Meile. pp. 69-79.
Nanxing, X., Ai, W. (2004). A Talk Between Xie Nanxing and Ai Weiwei. In: Xie Nanxing Paintings: 1992 – 2004. Beijing: Galerie Urs Meile. pp. 11-63.
MuHKA Antwerpen (2004). China Now! All under Heaven. Antwerpen.
Shanghai Duolun Museum of Modern Art (2004). Open Sky. Shanghai. p. 86.
Brewinska, M. (2004). New Zone, Chinese Art. Warschau, Poland: Zacheta National Gallery. p. 19.
Colonnello, N. (2003). Ontology of Delay. Lucerne: Galerie Urs Meile.
Ferec, L. (2003). Xie Nanxing ou la Peinture du Sentiment. In: Art Press, 290. p. 35.
Howes, N. (2003). Xie Nanxing Paintings 1999 – 2002. Manchester, UK: Manchester Art Gallery.
Colonnello, N. (2003). Psychological Sketches. Manchester, UK: Manchester Art Gallery.
Zhu, Q. (2002). Xie Nanxing: Lost in Moony Visual Uneasiness. Contemporary Art, Xiandai Yishu. p. 51.
Li, X. (2003). The First Guangzhou Triennial of Contemporary Art. Guangzhou, China. p. 440.
MAB Museu de Arte Brasileira (2002). China, Contemporary. São Paulo, Brazil. p. 148.
Pakesch, P. (2002). Painting on the Move. Basel, Switzerland: Kunsthalle Basel. p. 204.
Pakesch, P., Krauter, A. (2002). Interview with Xie Nanxing. Chinese Artists, Texts and Interviews. Chinese Contemporary Art Awards (CCAA). p. 156.
The First Chengdu Biennial (2002). Xie Nanxing. Chengdu, China. p. 448.
Pakesch, P. (2001). Abbild. Graz, Austria: Steirischer Herbst 2001. p. 176.
Shanghai Biennial (2000). Xie Nanxing. Shanghai, China. p. 234.
Li, X. (2000). Chinese Contemporary Art Award (CCAA), Beijing. p. 31.
Vogel, M. (2000). Ambivalente Malereien zwischen Präzision und Andeutungen. In: Neue Luzerner Zeitung, 1.
Motz, F., Mannstein, D. (2000). Our Chinese Friends. ACC Galerie. Weimar, Germany. p. 56.
Upriver Art Gallery (2000). Time to Revive. Chengdu, China. p. 82.
Dematté, M. (1999). Aperto over All. 48th. La Biennale di Venezia. p. 334.
Szeemann, H. (1999). Xie Nanxing – Chinese Art at the End of the Millennium 1998 – 1999. p. 221.
Szeemann, H. (1998). Chinese Contemporary Art Award (CCAA), Beijing. p. 17.